Coming Soon and Pre-Orders

Continuity releases November 20, 2026. Order yours today. 

His father controls the family. The Great Clock controls history. Carlos San Sebastian has never controlled much of anything. 

Then someone murders his father six years before Carlos was born.

Carlos belongs to a dynasty of time travellers whose history is supposedly protected. Their past cannot be changed. Their bloodline cannot be interrupted. And no one should be able to kill the family patriarch before his children exist.

Yet someone has.

With twenty-two hours before the damaged timeline corrects itself, Carlos must travel through his family’s history, identify the killer, and prevent a murder that has already happened. Unfortunately, he can barely control his own jumps, has never solved a crime, and has spent most of his life disappointing the father he is now expected to save.

His only possible ally is his estranged sister, Monique, who abandoned the family years ago and has no interest in preserving the man or the legacy Carlos has been ordered to protect.

But the deeper Carlos travels into the past, the more the family’s laws begin to look like lies. The Great Clock may not protect history. His father may not deserve saving. And restoring the family timeline may require Carlos to surrender the first life that has ever truly belonged to him.

Continuity is a time-travel novel about family, consequence, and a son forced to decide whether becoming an adult means accepting his inheritance or finally refusing it.

Dead Girls Do Talk releases on September 22, 2026. Order yours today!

Before their words became evidence, they were simply trying to understand their own lives. 

They wrote in diaries and journals. They saved letters, emails, text messages, calendars, and private notes. They documented relationships, fears, unwanted attention, escalating control, and ordinary moments they never imagined would one day be examined by detectives or presented to a jury.

In Dead Girls Do Talk, investigative journalist and true crime author LaDonna Humphrey examines cases in which women’s own words survived the violence committed against them and changed what investigators, families, and courts understood.

Fifteen-year-old Candice Parchment recorded an attempted sexual assault she was too frightened to report. A mother’s private diary helped reopen the suspicious death of Robin Gilbert after twenty-one years. Julie Jensen left behind a letter she hoped would never be needed. Susan Powell’s voice survived across journals, emails, videos, calendars, and the scattered records of an ordinary life. And at the center of Humphrey’s investigation is nineteen-year-old Melissa Witt, whose diary may still contain vital context surrounding her unsolved 1994 murder.

Drawing on nearly a decade of investigative work, interviews, police records, court documents, academic research, and victims’ personal writings, Humphrey reveals why evidence often begins long before the crime scene. These private records do not replace forensic science or prove guilt on their own. They preserve relationships, behavioral patterns, warnings, and changes that hindsight might otherwise distort or erase.

Dead Girls Do Talk refuses to reduce murdered and missing women to bodies, headlines, or supporting characters in stories about the men who harmed them. It restores the person before the mystery and asks us to recognize a devastating truth:

These women were not waiting to be heard after they died. They were asking to be heard while they were still alive.

The Woman in Blue releases August 28, 2026. Order yours today.

On Labor Day weekend, 1956, a six-week-old baby vanished from her carriage inside a crowded Sears department store in Hamden, Connecticut. Five days later, three boys fishing at Lake Whitney found her—sealed in a potato sack, weighted down with a rock.

For nearly seventy years, the disappearance of baby Cynthia Ruotolo has remained one of Connecticut's most haunting unsolved crimes. Investigators had several leads, but one stood out—a mysterious woman in a blue dress, seen in the Sears parking lot that afternoon. Composite sketches were drawn. Files were opened and reopened. The woman was never found.

James Peinkofer was investigating a different Connecticut case—the shaken-baby killings of nurse Virginia Jaspers—when he came across the Ruotolo file and noticed something the original investigation missed: this wasn't the family's first infant death. It wasn't their second, either.

Drawing on autopsy reports, forensic analysis, and firsthand interviews with surviving family members, Peinkofer reconstructs the case from the inside out—and lays out a methodical, evidence-driven argument for what really happened and why investigators were looking for the wrong woman from the very beginning.

The Woman in Blue is a cold case reopened by someone who knows exactly what to look for in the silences of an old autopsy report—and a sober reckoning with how many "accidents" get filed away because no one asked the right question at the right time.