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Meet Marshall Terrill

Marshall Terrill
Marshall Terrill writes true crime and celebrity biography with an eye toward context, consequence, and the people caught in between.

Marshall Terrill is a writer and journalist who has chronicled the lives of cultural icons including Steve McQueen, Elvis Presley, Jay Sebring, and others whose fame intersected with crime, power, and consequence.

He is known for deeply researched true crime and cultural history, focusing on the human, social, and ethical dimensions of real events. His work explores how individual lives collide with larger systems and cultural moments, approaching these stories with care, context, and a commitment to understanding rather than sensationalism.


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A little bit of how Marshall thinks

What draws you to stories...?

What draws you to stories that sit at the intersection of crime, culture, and celebrity?

Well, it’s a wonderful combination now isn’t it? Think of all the great celebrity trials of the past involving crime – Fatty Arbuckle, Charles Manson, Lyle and Erik Menendez, OJ Simpson – it’s like a magical combination that is endlessly fascinating because of all the cross-currents. It unlocks worlds where you’re usually not permitted or is something that allows you access to places that are unknown. In a strange way, you also get a peek into how the law works, so I believe there’s an element of being able to learn something and apply it to your knowledge. Lastly, these stories often lead to spectacle, which means that the truth is often more surreal than fiction.

What’s the moment you know there’s more here than the headlines ever showed?

When you’re researching a true crime story, what’s the moment you know there’s more here than the headlines ever showed?

When you actually get to talk to people who were involved in the crime or get to know a loved one who knows the perpetrator or victim. When you can reveal something to the public for the first time or offer up what perhaps really happened beyond headlines. I enjoy nuance and objectivity, so if you can inject that into your story, you can show true authenticity and balance.

How do you balance empathy...?

How do you balance empathy for real people with accountability for real harm?

That’s easy – people aren’t born monsters. They essentially grow into the role as a result of how they were raised, if there were any guardrails in place, and how circumstances unfold. You demonstrate the good and the bad – show both sides of the person. As a narrator, I don’t like to point people in one direction or another but let your sources offer their opinions and let the facts speak. I’m old school in that I don’t want the news to offer opinion but rather simply state what happened. Treat readers as smart, and they’ll pick up on what’s what.

What responsibility does a writer have...?

What responsibility does a writer have when telling a story that still affects living people?

To quote people as accurately as possible, offer facts but not opinions, demonstrate balance and detail to the story.

What do insiders see that outsiders usually miss?

You often work closely with people who lived inside these stories. What do they see that outsiders usually miss?

They can offer lots of great details and context that a prosecuting attorney cannot because they know the person inside and out. For example, in working with Charles Schmid’s widow, Diane, she lived with “Smitty” and knew him over a 10-year period. She not only knew him but all the other players in the book. That kind of inside knowledge is vital in the telling of the story. I think we captured something very special in the book as a result.

What surprised you most...?

What surprised you most while working on SMITTY? The fact that we were able to finally tell what Smitty’s life was behind bars and how he was killed. The other books (there were two) on the Schmid case ended in 1967 after the second trial and then added a coda in 1975 that he was killed in prison. However, they were never able to explain how or why he might have been killed. We were also able to obtain police reports, letters from Smitty to Diane, journalists and the warden at Arizona State prison in Florence and his poetry – lots of poetry – that give true insight into Smitty’s thinking. We also were able to give context through Arizona history and backstories. We truly captured something special.

How do you decide what not to include...?

How do you decide what not to include when the material is overwhelming or disturbing?

I also go based on what is personally interesting to me. If I find the material interesting and helps the reader in their understanding, then it stays. I remember when I wrote a chapter in the Schmid book and after I finished I said to myself, “That is the darkest thing I’ve ever written in my life.” It was about Smitty’s life behind bars and the darkness and brutality of life in a state penitentiary. However, I didn’t sugarcoat anything or cut anything out because I wanted readers to take that journey with Smitty. And the most amazing thing was – they were either going to empathize with Smitty or say, “He deserved every bit and more for what he did to those victims.” There is no middle ground on that chapter.

What do you hope readers understand...?

What do you hope readers understand differently after finishing one of your books?

That it was researched as thoroughly and honestly as possible. Or at the very least, has a different take and makes you think about the story in an alternative way.

What keeps you returning to long-form storytelling...?

What keeps you returning to long-form storytelling when shorter, louder formats dominate the conversation?

It’s what I grew up with and what I know. I don’t mind movies that slowly unravel as long as it captures your attention. It’s the same with books. Readers shouldn’t be cheated if you take a little longer to tell your story. I don’t think I will ever be accused of that.

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Jay Sebring: Cutting to the Truth (Hardcover)

A clear-eyed portrait of who Jay Sebring was before history reduced him to a footnote.
5.0 from 6 readers
$29.95

SMITTY: My Marriage to Serial Killer Charles Schmid, the Pied Piper of Tucson (Hardcover)

A firsthand account of life inside a marriage that concealed one of America’s most disturbing killers.
$24.95

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